IN order to give great pleasure, sometimes one must suffer greatly. Beauty thus is created from
supreme agony. Look at the great artistes who languished in poverty during
their lifetimes, dying unrecognized only to be acclaimed as geniuses
afterwards. They have been immortalized but fame means nothing to them now.
So do we want that sort of immortality?
'How long does a man live, after all?
A thousand days or one only?'
It’s uphill work for those cursed with that niggling bug known as ambition. I
for one have found it a great trial. Rewards came and went. Success arrived,
but armed with pressure, tension, bad temper, greed. To what lengths some
people will go to try a hand at ‘being remembered forever’.
As far as people of my ‘trade’ are concerned, ‘forever’ means as long they are
functioning as actor or artistes. It’s the trade of television acting that I am
talking about. They are or used to be at any rate a totally different breed
from the world of film and stage (rather like kissing cousins... from afar!)
being more related to radio. Recently, however, everybody seems to be bosom
pals with distant relatives and there is this interesting, though often
exasperating, confusion at the recording hangouts these days. You never know who
it is you are talking to, and from where.
That, however, is not the point. What I really want to find out is where the
beauty of this once creative trade has flown (and it definitely isn’t
Hollywood). Instead of heading towards the desired immortality, why are we on
course for possible self-destruction?
Did you know that the tradition of Pakistani drama is unique? Nowhere in the
world is there anything comparable. There are long-term dramatic series, or
sitcoms or talk shows, but no limited episode-wise plays. Only recently have
our neighbors started to seriously compete, but, good or bad, our style stands
out.
Somewhere in the recent past, however, we have slowly started to slide into
horrifying mediocrity. Repetitive, clichéd storylines and pretty, glossy
pictures with the end result being totally forgettable and an insult to
entertainment-starved viewers in this country. The solution, for the lucky
ones, is the cable channels that have mushroomed recently.
But I know that our viewers long for the emotionally stimulating, absorbing
(yes, often unbelievably melodramatic) drama of the good old days. So where is
it? Have all the older writers and actors and directors gone away or simply
lost touch? What about the generation that is following? I feel so sorry when I
discover that the majority of our new talent is in business to make money only
and to get their faces known in order to be famous and thus make more money.
The glamour, the perks of being recognized everywhere and given preferential
treatment, the display of tantrums is not too hard on the ego, either. But
there is a serious lack of grooming and nobody seems bothered about doing
really well. Who is going to watch? So nobody grows or improves his craft. Even
if blessed with talent, they cash in on those gestures or histrionics that they
know are sure winners. It sounds very harsh, I know. But where is the desire to
create, to absorb yourself in the process of creation, to explore yourself and
push your abilities to the limit?
The problem, used to be that no one took acting seriously. It’s a hobby. You
have fun and then return to serious work. Like banking. So what do you do?
people will ask. ‘I act in plays’. ‘Oh that’s nice... magar aap kaam kya karte
hein? It’s the same old story it was 400 years ago. Actors? In the same
category as fools, court jesters, gypsies. No offence whatsoever to any of the
aforementioned for they are all entertainers who are there for a very good
purpose. To serve humanity... just like doctors or engineers or assistant
commissioners (all of whom are considered ideal matches for Pakistani girls)
but they have always been on the fringe of respectable society. All right to
watch and enjoy from a distance and that’s about all. Although that attitude
has greatly changed; people have realized there is a lot of money to be made in
this thriving industry and quite a lot of effort is involved. It’s gaining some
grudging respect even, but it’s a slow process.
I feel that what they outwardly despise (so blatantly), they secretly crave
for, namely, the desire for liberation of the soul, a certain freedom from
mundane reality. In the sixty-odd years that most normal (I won’t say ordinary)
people live their active lives, the actor can live a hundred, a thousand
different ones. You actually defy time and age. You can indeed live forever.
Who wouldn’t envy that state of complete power? It is only your fear that stops
you.
Why are we so scared to explore what is inside us? Is it that horrifying? If
so, wouldn’t it be better out in the open, anyway? The truth is that the
majority of us are afraid to simply let go. We must know where we are going and
want to know, where we will end up. If inhibition is let loose we are not sure
we can control it. It’s amazing that people are hesitant about even letting out
a good, healthy yell. What will others think and say? It’s the old,
hypocritical ‘look respectable and do everything on the sly’ school of thought.
Perhaps the truth (and the reality) need not be so shocking. One can safely say
that history has been made, and progress expedited by people who searched for
truth and who had the courage for introspection, too. Such was Shakespeare’s
exploration into the deep rooted vices in human nature like jealousy and ambition,
and Faiz’s discovery of man’s indomitable spirit in the face of adversity, his
strength and moral courage.
It is that truth and that reality our directors, new and seasoned, should
emphasize. Actually, it’s good that so many people are now considering TV
direction as a career. There are many talented young men and women making a
name for themselves in this field. Some started raw, while others have a
background or training to support them.
I feel at times though that there is a lot of plagiarism in their work. It can
also be difficult for the masses to relate to the themes of some plays which
might mean more to the viewers from the culture they were adapted from. Perhaps
there is too much action and too little thought. Fancy lighting, beautiful
faces and shot upon shot of breathtaking mountains and jumps into the river are
wonderful, but the work of an artiste reflects the way he sees the world. That
depth can only be reached if we find our own voices and develop our own style.
I am talking of young people, of course. The veterans have defined their
technique but the ones who will be eventually taking over need to move ahead
and beyond, to find new realities, to rediscover old truths and unmake them so
that they crackle with life and vitality. Otherwise, the same old hackneyed
topics will seem tiresome and you and your work will be forgotten sooner than
you created it.
The journey, however, has just begun. There are so many new discoveries to
make. I hope there will always be people prepared for that.